ROCK ART PAPER - No. 2. PAGE 4. BIBLIOGRAPHY

THE ROSARIO BIRDS:
POSSIBLE INDICATIONS OF EL NIÑO DISASTERS IN THE CHILEAN ATACAMA DESERT

First published in ALMOGAREN XXXII-XXXIII, 2001-2002, 303 - 328, Wien 2002; the Journal of INSTITUTUM CANARIUM, Wien, Austria. Text and graphics of this web version copyright by Maarten van Hoek, 2003.

Sources of the illustrations:

Fig. 2: Distribution map of northern Chilean rock art sites (modified after MASMA-Sernatur 1999a). Inset refers to Fig. 3.

Fig. 6: Engraving of a camelid with bird at Caspana, Chile (modified after Gallardo, Sinclaire & Silva 1999: 63).

Fig. 15: A) Condor-man from Alero Zurita, Chile (Modified after Fernando Maldonado. In: Rock art in the Andes of Capricorn. Museo Chileno de Arte
Precolombino, Santiago de Chile, 1999, page 35). B) Petroglyph of a possible condor-man from Ofragía, Chile (Modified after Museo Arqueológico San Miguel de Azapa, 1999a).

BIBLIOGRPHY:

BERENGUER J. R. 1999. The vanishing language of rock art in the Andes of
Atacama. In: Rock art in the Andes of Capricorn. Museo Chileno de Arte
Precolombino, Santiago de Chile.

DE LUMLEY, H. 1996. Le Rocce delle Merviglie. Milano.

ESPINOSA, G. 1996. Lari y Jamp'atu. Ritual de lluvia y simbolismo Andino
en una escena de arte rupestre de Ariquilda 1, norte de Chile. Chungara 28:
133-157. Universidad de Tarapacá, Arica.

GALLARDO, F., C. SINCLAIRE & C. SILVA. 1999.
Rock art, location and landscape
in the Andean foothills of the Atacama desert. In: Rock art in the Andes
of Capricorn. Museo Chileno de Arte Precolombino, Santiago de Chile.

HUWILER, K. 1998. Zeichen und Felsen. Immensee, Deutschland.

KEYSER, J. D. 1992. Indian rock art of the Columbia Plateau. University of
Washington Press, Seattle.

KLEIN, O. 1972. Cultura Ovalle. Complejo Rupestre Cabezas-Tiara.
Petroglifos y pictografias del Valle del Encanto, Provincia de Coquimbo,
Chile. Scientia 141, 5-123. Valparaiso.

KSICA, M. & O. KSICOVÁ. 1994. Felsbilder zwischen Schwarzem Meer und
Beringstrasse. Preh-art-expo Brno.

LEE, G. 1992. The rock art of Easter Island; Symbols of Power, Prayers to the
Gods. Monumenta Archaeologica 17. Los Angeles, U.S.A.

LEE, G. & E. STASACK. 1999. Spirit of Place. Petroglyphs of Hawai'i. Los
Osos, California, U.S.A.

MASMA-SERNATUR 1999a. Arte rupestre, una historia visual. Leaflet
published by Museo Arqueológico San Miguel de Azapa, Arica.

MASMA-SERNATUR 1999b. Circuito Arqueológico Valle de Azapa. Leaflet
published by Museo Arqueológico San Miguel de Azapa, Arica.

MUÑOZ, I & L. BRIONES 1996. Pobladas, rutas y arte rupestre precolombinos
de Arica: descripción y análisis de sistema de organización. Chungara
28, 1 & 2, 47 - 84. Arica.

OUZMAN, S. 1997. Hidden in the common gaze: collective and idiosyncratic
rock paintings at Rose Cottage Cave, South Africa. Navorsinge van die
Nasionale Museum, Bloemfontein. Vol. 13, Part 6: 225-255.

SCHIAPPACASSE, V. & H. F. NIEMEYER. 1996. Las pictografías de los
aleros de Itiza y de Mullipungo de la Sierra de Arica. Chungara 28, 1 and 2,
pp 253-276. Arica.

SOLOMON, A. 1998. Ethnography and method in southern African rock-art
research. In C. Chippindale and P. S. C. Tacon (eds.), The archaeology of
Rock-Art, 268-284. Cambridge University Press.

STONE-MILLER, R. 1995. Art of the Andes, from Chavín to Inca. Thames and
Hudson, London.

SUSZEK, S. 2000. The World of Petroglyphs. StoneWatch CD-ROM, Vol. 4,
Part 1. Warmsroth.

UHER, J. 1994. Zigzag rock art, an ethological perspective. In T. A. Dowson
and J. D. Lewis-Williams (eds.), Contested Images: diversity in Southern
African rock art research. Johannesburg, Witwatersrand University Press,
South Africa.

VAN HOEK, M. 2001. The Hidden Gods of Chiuchiu. StoneWatch 6. 48-59.
Warmsroth. Also published on the website of the University of Tarapacá, Chile: WWW.uta.cl/masma/azeta/chiu

WHITLEY, D. S. 1998. Finding rain in the desert: landscape, gender and far
western North American rock-art, in C. Chippindale & P. S. C. Tacon (eds.),
The archaeology of rock art. Cambridge University Press, Cambridge.

BACK TO ROCK ART PAPER 2- PAGE 1

READ ROCK ART PAPER 3

A short paper that may be regarded as a sequel to this paper on Rosario in which it is suggested that two inverted bird petroglyphs near Arica, Chile, represent instances of imitation of earlier rock art symbolism possibly borrowed from bird imagery at Rosario.

MORE ROSARIO PHOTOS

This web page features a collection of rock art from Rosario other than bird petroglyphs. Click the back-arrow to return to Rock Art Paper 2.

BACK TO MY HOME PAGE

This Webpage has been created using the my connected community (mc2) Webpage generator.
my connected community (mc2) is funded by the Victorian Government and coordinated by VICNET